Mystery of the Seven Seals: Seven Spheres, Planetary Archons & Corruption on High

From New Dawn 158 (Sept-Oct 2016)

Until baptism …fate is true. But afterward the astrologers are no longer correct. 
– Excerpta ex Theodoto, 78

The New Testament is probably the most widely read book in the world. And yet it is also a book that is mysterious, and, at best, not fully understood. In some cases, this is because what the churches teach today no longer corresponds with what the New Testament says. This is the case with the nature and person of Jesus. (See my article, “The Strange Identity of Jesus Christ,” in New Dawn 156.)

In other instances, it is not so much that the teaching has been changed, but that it has been lost completely.

This is true of the early Christian view of cosmology. It is peppered throughout the New Testament but has been completely overlooked or forgotten. The result is that many parts of the text are baffling or incomprehensible today.

Here’s one example – the angels. Today angels are golden-haired beauties who save you from car wrecks. In the US there is even a magazine, Angels on Earth, that is devoted to printing readers’ firsthand experiences of encounters with angels. It has a circulation in the hundreds of thousands.

But in the first century CE it was not so. Here is a curious fact: in the New Testament, the apostle Paul never speaks of angels in a favourable way. Examples: “For I am persuaded, that neither death, nor life, nor angels, nor principalities, nor powers, nor things present, nor things to come… shall be able to separate us from the love of God” (Romans 8:38–39; biblical quotations are from the Authorised King James Version). “For I think that God hath set forth us the apostles last, as it were appointed to death: for we are made a spectacle unto the world, and to angels, and to men” (1 Corinthians 4:9; emphasis added in both passages).

In both examples, the angels are not friends of humanity but barriers to God.

To understand the implications of this fact, it might be best to begin with the cosmological worldview that was current in the first century CE. It is based on the seven planets as known at that time: the Moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn. They were believed to revolve around the earth (in the order just given), each in its own crystalline sphere. Beyond these was the realm of the fixed stars, and beyond that, God himself.

Another curious fact: you will notice that in English the word heaven has two meanings, one having to do with the physical sky (usually in the plural form heavens), the other having to do with the spiritual realm. The ancient Greek word ouranós had a similar dual sense. The heavens above, including the spheres of the planets, were regarded both as physical space and as a spiritual dimension. 

Section of Gustave Doré depiction of the Empyrean, or highest heaven, for Dante’s Divine Comedy.

It’s difficult for us today to understand this worldview. Although we do think of heaven in the spiritual sense as being “up there,” we understand it as a metaphor only. The realms of the physical planets and stars in outer space, to our minds, have no spiritual component as such.

In antiquity it was not so. The physical heavens were identified with the levels through which the soul had to ascend after death. These levels, and the planets associated with them, were, as often as not, viewed as a series of gates that blocked the soul from its ascent to its true home.

Each of these planets had a vice associated with it, which is where we get the concept of the seven deadly sins. The soul could only ascend if it shed these vices. The process is described in the Poimandres, a treatise that makes up part of the Corpus Hermeticum or “Hermetic body” of writings, generally dated to the early centuries of the Common Era:

The human being rushes up through the cosmic framework, at the first zone [the moon] surrendering the energy of increase and decrease; at the second [Mercury] evil machination, a device now inactive; at the third [Venus] the illusion of longing, now inactive; at the fourth [the sun] the ruler’s arrogance, now inactive; at the fifth [Mars] unholy presumption and daring recklessness; at the sixth [Jupiter] the evil impulses that come from wealth, now inactive; and at the seventh [Saturn] the deceit that lies in ambush. (Poimandres, 1.25)

Each of these seven spheres was also ruled by a planetary archon, who could be viewed as an angel or as a god.

Heavenly Realms & Corrupt Evil Forces

Another part of the Christian teaching – and, again, I am speaking of the New Testament – was that these planetary spheres were ruled by corrupt forces. The epistle to the Ephesians, according to most scholars, was not written by Paul, but it is close to his thought. Here is what it says: “For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in [heavenly] places” (Ephesians 6:12). The word “heavenly,” in this version, appears in a note. But it is closer to the Greek epouraníois than is the reading in the main text, “high places.” This verse makes it clear that the “principalities” and “powers” were not the Roman emperors, but spiritual forces of evil. Paul himself in Romans 8:38–39 (quoted above), uses more or less identical terms in the same way.

Let’s go ahead five hundred years, to the single most important work on angelology in the Christian tradition: the Celestial Hierarchy of Dionysius the Areopagite. (Dionysius the Areopagite is a figure mentioned in Acts 17:34 as a contemporary of Paul. This work is attributed to him, but was very likely written 500 years later, in the sixth century CE. Hence the author, otherwise unknown, is often called “Pseudo-Dionysius.”) He lists orders, or “choirs,” of angels, each class having a different name. Two of these are the “Principalities” and “Powers.” Pseudo-Dionysius’s system was taken up by Dante in his Divine Comedy, among others. 

Notice the change here. For Paul and the author of Ephesians, writing in the first century, the “principalities” and “powers” are among the forces of “wickedness in heavenly places.” For Pseudo-Dionysius, writing five hundred years later, they are honourable members of the heavenly hierarchy.

It would be an intricate task to show when and how this change came about. For our purposes, it’s enough to know that it did come about. Thus the mainstream Christian view of the angels as unilaterally benevolent simply does not go back to the earliest times of the faith.

The result of all this is that, among the early Christians, at any rate among the ones who wrote the New Testament, there was a widespread belief that the celestial realms were occupied by evil forces. The struggle of the Christian was to rise above them, to contend with them, and possibly to defeat them.

This too is a theme that appears throughout the New Testament. In Luke 10:18 we find a mystifying verse. It appears in this context: Jesus has sent out seventy disciples to preach his message. They return “with joy, saying, Lord, even the devils are subject to us through thy name.” Jesus replies: “I beheld Satan as lightning fall from heaven.”

A similar idea appears in John 12:31: “Now is the judgment of this world: now shall the prince of this world be cast out.”

The upshot of all these details is clear: the early Christians – at any rate, those who wrote the New Testament – believed that somehow Satan and the forces of spiritual wickedness had managed to ensconce themselves in the celestial spheres, and that it was the task of Christ (and his followers) to cast them down. The verse from Luke quoted above makes it sound as if this has already happened: the verses from Paul suggest that the struggle is still going on.

“The Lamb opening the book with seven seals” by Matthias Gerung, ca. 1530-1532

The Book of Revelation

To understand this picture more fully, we will have to turn to the most enigmatic book of the Bible: Revelation. 

Revelation has a grip on the Western imagination like no other work. In Doctor Zhivago, Boris Pasternak wrote, “All great, genuine art resembles and continues the Revelation of St. John.” Its images and themes have long since soaked into the popular imagination: the Beast, the Whore of Babylon, the number 666, the Four Horsemen. Nonetheless, very few have managed to pull its narrative together and explain it in terms that might have made sense to its original audience in the first century CE.

But it is possible to do this in light of the ideas I have sketched out above.

To begin with, a very brief sketch of this enigmatic book: John – traditionally associated with Jesus’s “beloved disciple,” although he probably did not write it – has a vision of the “Son of man” among seven golden candlesticks, which represent seven churches, all of them in Asia Minor. The messages are unenthusiastic at best: to the one in Ephesus, for example, he says, “I have somewhat against thee, because thou hast left thy first love” (Revelation 2:4).

Then John has a vision of heaven, where he sees “seven lamps of fire burning before the throne, which are the seven Spirits of God.” A book with seven seals is presented, and these seals is opened, each revealing some new and terrible manifestation: the renowned Four Horsemen, “a great earthquake,” and cosmic cataclysm: “The stars of heaven fell unto the earth… And the heaven departed as a scroll when it is rolled together” (Revelation 6:12–14).

When these are completed, seven angels sound seven trumpets, with similar tribulations: a star named Wormwood falls upon the waters of the earth, “and the third part of the waters became wormwood: and many men died of the waters, because they were made bitter” (Revelation 8:11).

Finally, the climactic moment arrives: “And there was war in heaven: Michael and his angels fought against the dragon: and the dragon fought and his angels, And prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him” (Revelation 12:7-9).

The images in Revelation have been used so often, and in so many ways, that certain facts have become obscured. In the first place, the vision does not have to do with some imagined end of the world in the immeasurably remote future. It is something that the prophet sees as happening in his own time.

In the second place, we may wonder why the number seven is repeated and emphasised to an almost maniacal degree. In the light of the things we’ve already seen, the reason becomes clearer: it has to do with the realms of the seven planets. They have been inhabited by corrupt forces, including evil angels. The opening of the seven seals and the blast of the seven trumpets culminate in a war in which all of them, led by Satan, are cast down from the heavens onto the earth.

Revelation appears to be describing a great purge of the cosmic realms that, the prophet believes, has been initiated by Christ, “the Son of man,” “the Lamb.” Satan is cast down to earth. (Remember the line from Luke in which Jesus says that he sees Satan falling “as lightning” from heaven.)

Literal interpretations of Revelation result in images such as the above. Perhaps the symbolism of the text is more correctly understood in the context of how the ancients conceived of the heavens.

At this point the action switches to earth. Then ensues “the judgment of the great whore that sitteth upon many waters.” She sits on “a scarlet-coloured beast… having seven heads.” The text explains, “The seven heads are seven mountains, on which the woman sitteth” (Revelation 17:3, 9). The identification of this woman and beast are obvious: it is Rome, which was famously built on seven hills. It has “seven kings. Five are fallen, and one is, and the other is not yet come; and when he cometh, he must continue a short space.” If we identify them with the Roman emperors, the first five are Augustus, Tiberius, Caligula, Claudius, and Nero, who was overthrown in 68. By this reckoning Galba would be the sixth, although he reigned for only seven months. This takes us up to 69 CE, known as “the year of the four emperors,” because in fact four emperors followed one another in quick succession. The prophet believes that there will be another, but that his reign will be brief, and that he will be the last. John was partly right: The reign of Otho, who succeeded Galba, was only three months long. But he was far from the last emperor.

If this is actually what John has in mind, we find ourselves in the midst of the Jewish War (66–73 CE), in which the Jews revolted against Rome. It would seem likely that the prophet is writing around this time, and he expects it to usher in the Last Judgment, which will involve a final battle with the result that “Babylon the great is fallen” (Revelation 18:2). After that, the prophet sees “a new heaven, and a new earth, and the holy city, new Jerusalem, coming down from God out of heaven” (Revelation 21:1–2).

This did not happen. Instead the Jews were crushed. The Temple in Jerusalem was sacked and Judea partly depopulated. Rome, the “great whore,” was not overthrown, and celestial forces did not descend to destroy it. The Roman empire continued to last for centuries. The Last Judgment did not occur. Nor did the world end.

In any event, we can sum up the action of Revelation as follows: Christ, the Lamb, is slain and resurrected. He ascends into heaven and purges the seven heavens of evil influences, led by Satan. They are cast down to earth, and are embodied in the Roman empire, which itself will be crushed by heavenly forces led by the Lamb, culminating in a new world.

The Host of Heaven

I can’t claim to understand the entire symbolism of Revelation, which is profound and multilayered, but I am willing to say that this, at least in part, is what is going on here. The evidence we have seen from other New Testament texts indicate that this belief was current, if not universal, among the early Christians – at least the ones who wrote the New Testament.

I also must admit that this account leaves one major question unanswered. Why and how did the heavenly realms come to be infested with evil influences?

One answer appears in the passage from the Poimandres that I quoted above. Here the planetary zones seem to be identified with evil propensities. Could the Hermetic texts – of which the Poimandres is a part – be the sources of this doctrine of “spiritual wickedness in heavenly places”? Or could both the texts and this doctrine have come out of the same stream?

It is possible. Although the Hermetic texts have been studied, often intensively, over the centuries, there is much that remains baffling about them. But it is probably accurate to say, along with scholar Brian Copenhaver, that they “can be understood as responses to the same milieu, the very complex Greco-Egyptian culture of Ptolemaic, Roman, and early Christian times” – meaning the long period between the fourth century BCE and the second century CE. This was also the milieu in which Christianity arose. So there may be some trace of these Greco-Egyptian influences on the Christianity of the New Testament.

The Poimandres does not portray these cosmic forces as evil. When the cosmic man is created, it is said that the seven “governors” – of the planets, that is – “loved the man, and each gave a share of his own order.” But man, like Narcissus, fell in love with his image in the natural world, and fell. Thus his nature is twofold: immortal, given by God, and mortal, born of his infatuation with matter. He is in bondage to things over which he should be master. The qualities that the “governors” gave him become vices that he has to overcome.

There are hints of similar ideas in the Hebrew Bible. Over and over we encounter entities called “the host of heaven” or “the sons of God.” Here is one example. The prophet Micaiah says, “I saw the Lord sitting on his throne, and all the host of heaven standing by him on his right hand and on his left” (1 Kings 22:19). In this passage, the host of heaven is part of Yahweh’s heavenly court, and thus part of the cosmic order.

But here is another verse. It is a warning given to the children of Israel by Moses, “lest thou lift up thine eyes unto heaven, and when thou seest the sun, and the moon, and the stars, even all the host of heaven, shouldest be driven to worship them, and serve them, which the Lord thy God hath divided unto all nations under the whole heaven” (Deuteronomy 4:9).

In fact many references in the Hebrew Bible to the “host of heaven” amount to warnings against worshipping them, or condemnations for having done so.

The host of heaven plays an ambiguous role in the Hebrew Bible. Again these beings – personifications of the stars and the planets and the signs of the zodiac – are not necessarily evil; they are part of the celestial court. At the same time there is a strong temptation to worship them that is repeatedly and vehemently denounced. As in the Poimandres, man is not meant to worship the seven heavenly “governors” or to be subject to them.

The ascent portrayed in the Poimandres has to do with the fate of the soul after death. The ascent through the spheres happens to the virtuous, those who obey this divine dictum: “Let him [who] is mindful recognise that he is immortal, that desire is the cause of death, and let him recognise all that exists.” (The bracketed insertion is the translator’s.) Salvation here comes from gnosis: insight into one’s own true nature and estate. One who lacks such insight, “the one who loved the body that came from the error of desire goes on in darkness, errant, suffering sensibly the effects of death.”

Unio Mystica – Interior (1973) by the Dutch modern artist Johfra Bosschart. The interpretation of this image can be read here:

Initiation & Gnosis: Free from Fate

There is another thread that we need to take up at this point. The Bulgarian sage Omraam Mikhaël Aïvanhov observes that the message of Revelation is “a description of the elements and processes that are common to our own inner life and the life of the cosmos.” These processes of our “inner life” have to do with initiation. As is often said, initiation is a kind of death and rebirth. On the simplest level, this has to do with a death to one’s former life and a birth to a new, higher life. But there is more to it than that. In a famous passage, Cicero, the great Roman statesman and philosopher, writes about initiations into the mysteries: “So in very truth we have learned from them the beginnings of life, and have gained the power not only to live happily, but also to die with a better hope” (Cicero, Laws 2.14.36; my emphasis).

This theme keeps appearing around the ancient mysteries. They have to do with death, not merely in a symbolic sense, but in a highly practical one. In some way they prepare the candidate for death. They are intended to make the process that he undergoes in the afterlife easier and more assured of success. It seems likely to me that the pagan mysteries had more than a little to do with this process. The mysteries of Mithras in fact took place in seven stages of initiation, which were very likely connected to the seven planets.

We then turn back to the epigraph of this article, a quotation from the Excerpta e Theodoto (“Excerpts from Theodotus,” a Gnostic figure from the second century CE): “Until baptism… fate is valid. But afterward the astrologers are no longer correct.” Christian baptism, viewed esoterically, raises the candidate up beyond the levels of the seven planets, which rule fate. The initiate is free from the influence of the planets and thus from fate.

This passage also emphasises that liberation is not merely due to a rite but is the result of gnosis: “It is not only the cleansing that is liberating, but the knowledge [gnosis] of who we were, and what we have become, where we were or where we have been thrown, where we hasten, what we are cleansed of, what birth is and what rebirth is” (Excerpta e Theodoto, 78; my translation).

Thus, at least for some early Christians, baptism was correlated with a liberating ascent through the realms of the planets, whose associated vices were made inoperative by the sacrament. The initiate reaches a level of consciousness and being that is above the domain of the planets.

Certainly much of this teaching has been lost or obscured over the centuries, to the point where a typical Christian today would be unlikely to recognise it as part of his own religion. The view of the planetary spheres as benign – indeed, as levels of heaven, as they are in Dante’s Paradiso – completely supplanted this older view.

And yet echoes continue to resound. In the early twentieth century, the Theosophist James M. Pryse wrote The Apocalypse Unsealed:

Many actors, apparently, play their parts in the drama of the Apocalypse; yet in reality there is but one performer – the neophyte himself, the sacrificial “Lamb,” who awakens all the slumbering forces of his inner nature, passes through the terrible ordeals of the purificatory discipline and the telestic [i.e., initiatic] labors, and finally emerges as the Conqueror, the self-perfected Man who has regained his standing among the deathless Gods.

Theosophist James M. Pryse, author The Apocalypse Unsealed, connects the seven seals with the chakras, the seven subtle centres in the human body. According to certain theories, these need to be opened in order for the seeker to attain enlightenment. Hence he translates the Greek apokálupsis (usually rendered as “revelation”) as initiation.

Pryse connects the seven seals with the chakras, the seven subtle centres in the human body. According to certain theories, these need to be opened in order for the seeker to attain enlightenment. Hence he translates the Greek apokálupsis (usually rendered as “revelation”) as initiation.

Aerial Tollhouses

One question remains: did any fragment of this early teaching survive in later Christianity? Yes, it did – in a curious form. Eastern Orthodox teaching refers to “aerial tollhouses” that the soul must pass through while ascending after death.

Seraphim Rose, a twentieth-century American Orthodox monk, writes, “The particular place which the demons inhabit in this fallen world, and the place where the newly-departing souls of men encounter them – is the air” (emphasis Rose’s). He quotes a liturgy written by John Damascene in the eighth century: “When my soul shall be about to be released from the bond with the flesh, intercede for me, O Sovereign Lady [i.e., the Virgin]… that I might pass unhindered through the princes of darkness standing in the air.”

And the quaint metaphor of aerial tollhouses is actually used. Another passage from John Damascene: “O Virgin, in the hour of my death rescue me from the hands of the demons, and the judgment, and the accusation, and the frightful testing, and the bitter toll-houses.” At each tollhouse, the soul is presented with all the sins it has committed of that kind: lying, envy, fornication, and so on. If it is found guilty of any of these sins, it is cast down to hell. If it is innocent, it is permitted to ascend.

These ideas clearly go back a long way. A nineteenth-century Orthodox historian of theology, Metropolitan Macarius of Moscow, writes: “Such an uninterrupted, constant, and universal usage in the Church of the teaching of the toll-houses, especially among the teachers of the 4th century, indisputably testifies that it was handed down to them from the teachers of the preceding centuries and is founded on apostolic tradition.”

The resemblance between these ideas and those in the Poimandres is striking. One could cite other parallels, such as the seven hekhalot (palaces) of heaven mentioned in the early Kabbalah.

It would be foolish, I think, to try to argue that all these teachings are exactly the same, or were so in antiquity. Then as now, there was a panoply of religions and beliefs and cults, and it would useless to try to show that their teachings were identical. Nevertheless, the resemblances are unmistakable.

Looking at this from a broader perspective, we can see the theme of man trying to situate himself in the cosmos. He looks up at the sky and sees the stars and planets and feels some connection with them. What sort of connection? Are these entities hostile, beneficent, indifferent? Do they lead to God, or do they block the way? And what of the unseen realms that, however dimly, each of us knows to exist?

The questions multiply. The picture of the seven planetary realms no longer fits in well with what we know from astronomy, and yet one cannot help sensing that it remains profoundly valid. We may have to wait till death – or initiation – to find out the truth.

This article was published in New Dawn 158.
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Omraam Mikhaël Aïvanhov, The Book of Revelations [sic]: A Commentary, Editions Prosveta, 1991
Brian P. Copenhaver, Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius in a New English Translation, with Notes and an Introduction, Cambridge University Press, 1992
James M. Pryse, The Apocalypse Unsealed, Being an Esoteric Interpretation of the Initiation of Ioannes, James M. Pryse, 1931 [1910]
Pseudo-Dionysius the Areopagite, The Celestial Hierarchy,; accessed Feb. 26, 2016
Seraphim Rose, The Soul after Death, St. Herman of Alaska Brotherhood, 1980
Richard Smoley, “The Esoteric Revelation,” Quest 102:4 (fall 2014), 138

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About the Author

RICHARD SMOLEY is the author of Inner Christianity: A Guide to the Esoteric Tradition; The Dice Game of Shiva: How Consciousness Creates the Universe; Conscious Love: Insights from Mystical Christianity; The Essential Nostradamus; Forbidden Faith: The Secret History of Gnosticism; Supernatural: Writings on an Unknown History; The Deal: A Guide to Radical and Complete Forgiveness; How God Became God: What Scholars Are Really Saying about God and the Bible; and Hidden Wisdom: A Guide to the Western Inner Traditions (with Jay Kinney). A frequent contributor to New Dawn, he is editor of Quest: Journal of the Theosophical Society in America. Visit his blog at

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